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Today's Stichomancy for Sofia Vergara

The first excerpt represents the past or something you must release, and is drawn from Master of the World by Jules Verne:

shoulders still very erect; a strong head, with thick hair rather gray than white, smooth shaven cheeks, and a short, crisp beard. His chest was broad, his jaw prominent, and he had that characteristic sign of tremendous energy, bushy eyebrows drawn sharply together. Assuredly he possessed a constitution of iron, splendid health, and warm red blood beneath his sun burned skin.

Like his companions the captain was dressed in sea-clothes covered by an oil-skin coat, and with a woolen cap which could be pulled down to cover his head entirely, when he so desired.

Need I add that the captain of the "Terror" was the other of the two men, who had watched my house in Long street. Moreover, if I

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The War in the Air by H. G. Wells:

roadside, with a number of businesslike engineers grouped about them watching through field-glasses some sort of entrenchment that was going on near the crest of the downs. It signified nothing to Bert.

"What's up?" said Edna.

"Oh!--manoeuvres," stid Bert.

"Oh! I thought they did them at Easter," said Edna, and troubled no more.

The last great British war, the Boer war, was over and forgotten, and the public had lost the fashion of expert military criticism.

Our four young people picnicked cheerfully, and were happy in the

The third excerpt represents the future or something you must embrace, and is drawn from Eve and David by Honore de Balzac:

Lucien submissively signed in the place indicated beneath her name.

"M. de Senonches, would you have recognized M. de Rubempre?" she continued, and the insolent sportsman was compelled to greet Lucien.

She returned to the drawing-room on Lucien's arm, and seated him on the awe-inspiring central sofa between herself and Zephirine. There, enthroned like a queen, she began, at first in a low voice, a conversation in which epigram evidently was not wanting. Some of her old friends, and several women who paid court to her, came to join the group, and Lucien soon became the hero of the circle. The Countess drew him out on the subject of life in Paris; his satirical talk flowed with spontaneous and incredible spirit; he told anecdotes of