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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

speedily, then society relapses into a long fit of nervous reaction before it learns how to appropriate the fruits of its period of feverish excitement. Proletarian revolutions, on the contrary, such as those of the nineteenth century, criticize themselves constantly; constantly interrupt themselves in their own course; come back to what seems to have been accomplished, in order to start over anew; scorn with cruel thoroughness the half measures, weaknesses and meannesses of their first attempts; seem to throw down their adversary only in order to enable him to draw fresh strength from the earth, and again, to rise up against them in more gigantic stature; constantly recoil in fear before the undefined monster magnitude of their own objects--until finally that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

She fastened something to the gate-post, - I could see the nervous haste with which she worked. When she joined me again it was without explanation. But the clenched fingers were free now, and while she looked tired and worn, the strain had visibly relaxed.

We walked along slowly in the general direction of the suburban trolley line. Once a man with an empty wagon offered us a lift, but after a glance at the springless vehicle I declined.

"The ends of the bone think they are castanets as it is," I explained. "But the lady - "

The young lady, however, declined and we went on together. Once, when the trolley line was in sight, she got a pebble in her low

The Man in Lower Ten
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

when I needed you most ... darling ... darling..." His lips moved lazily over her face. "You taste so good," he sighed. "How do you mean, lover?" "Oh, just sweet, just sweet..." he held her closer. "Amory," she whispered, "when you're ready for me I'll marry you." "We won't have much at first." "Don't!" she cried. "It hurts when you reproach yourself for what you can't give me. I've got your precious selfand that's enough for me."

This Side of Paradise
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sophist by Plato:

Neither are we able to say why of the common forms of thought some are rejected by him, while others have an undue prominence given to them. Some of them, such as 'ground' and 'existence,' have hardly any basis either in language or philosophy, while others, such as 'cause' and 'effect,' are but slightly considered. All abstractions are supposed by Hegel to derive their meaning from one another. This is true of some, but not of all, and in different degrees. There is an explanation of abstractions by the phenomena which they represent, as well as by their relation to other abstractions. If the knowledge of all were necessary to the knowledge of any one of them, the mind would sink under the load of thought. Again, in every process of reflection we seem to require a standing ground, and in