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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

big horse, tall and bony, with long legs and large knees and feet. She could count his ribs easily where they showed through the skin of his body, and his head was long and seemed altogether too big for him, as if it did not fit. His tail was short and scraggly, and his harness had been broken in many places and fastened together again with cords and bits of wire. The buggy seemed almost new, for it had a shiny top and side curtains. Getting around in front, so that she could look inside, the girl saw a boy curled up on the seat, fast asleep.

She set down the bird-cage and poked the boy with her parasol. Presently he woke up, rose to a sitting position and rubbed his eyes briskly.


Dorothy and the Wizard in Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Sharer by Joseph Conrad:

He was not exactly a showy figure; his shoulders were high, his stature but middling--one leg slightly more bandy than the other. He shook hands, looking vaguely around. A spiritless tenacity was his main characteristic, I judged. I behaved with a politeness which seemed to disconcert him. Perhaps he was shy. He mumbled to me as if he were ashamed of what he was saying; gave his name (it was something like Archbold-- but at this distance of years I hardly am sure), his ship's name, and a few other particulars of that sort, in the manner of a criminal making a reluctant and doleful confession. He had had terrible weather on the passage out--terrible--terrible--


The Secret Sharer
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Richard III by William Shakespeare:

The which will I-not all so much for love As for another secret close intent By marrying her which I must reach unto. But yet I run before my horse to market. Clarence still breathes; Edward still lives and reigns; When they are gone, then must I count my gains. Exit

SCENE 2.

London. Another street

Enter corpse of KING HENRY THE SIXTH, with halberds to guard it; LADY ANNE being the mourner, attended by TRESSEL and BERKELEY

ANNE. Set down, set down your honourable load-


Richard III
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

being a municipality on three Himalayan mountaintops. You can't imagine its individuality, its airy, unsubstantial, superior poise. How can I explain to you elderly gentlemen, whose faces express daily electric communications with the Secretary of State, playing tennis violently every single afternoon in striped flannels--writing letters of admonition to the Amir all day long, and in the evening, with the assistance of yellow wigs and make-up sticks from the Calcutta hair-dresser, imagining that they produce things, poor dears, only a LITTLE less well done than is done at the Lyceum? Nothing is beyond them. I assure you they are contemplating at the moment 'The Second Mrs. Tanqueray'. The effect of remoteness from