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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London:

well. Now let's see if you can do any better with the bag.

[FITZSIMMONS takes off coat and gives exhibition.]

[MAUD looks on in an ecstasy of admiration.]

MAUD. [As he finishes.] Beautiful! Beautiful!

[FITZSIMMONS puts on coat and goes over and sits down near table.] Nothing like the bag to limber one up. I feel like a fighting cock. Harry, let's go out on a toot, you and I.

MAUD. Wh-a-a-t?

FITZSIMMONS. A toot. You know--one of those rip-snorting nights you used to make.

MAUD. [Emphatically, as she picks up newspapers from leather

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Old Maid by Honore de Balzac:

maids become, like Richard III., keen-witted, fierce, bold, promissory,--if one may so use the word,--and, like inebriate clerks, no longer in awe of anything?

Immediately the town of Alencon, speedily informed from the farther end of the rue de Saint-Blaise to the gate of Seez of this precipitate return, accompanied by singular circumstances, was perturbed throughout its viscera, both public and domestic. Cooks, shopkeepers, street passengers, told the news from door to door; thence it rose to the upper regions. Soon the words: "Mademoiselle Cormon has returned!" burst like a bombshell into all households. At that moment Jacquelin was descending from his wooden seat (polished by a process unknown to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

at his plays. Denver had to pass Granice's flat on the way to his own, and it became a habit, if he saw a light in the window, and Granice's shadow against the blind, to go in, smoke a pipe, and discuss the universe.

"Well--this is like old times--a good old habit reversed." The editor smote his visitor genially on the shoulder. "Reminds me of the nights when I used to rout you out. . . How's the play, by the way? There IS a play, I suppose? It's as safe to ask you that as to say to some men: 'How's the baby?'"

Denver laughed good-naturedly, and Granice thought how thick and heavy he had grown. It was evident, even to Granice's tortured

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

world again. We are safe now in the matter of food and water; we could provision the U-33 for a long cruise; but we are practically out of fuel, and without fuel we cannot hope to reach the ocean, as only a submarine can pass through the barrier cliffs. What is your answer?" I turned toward von Schoenvorts.

He eyed me in that disagreeable way of his and demanded to know, in case they accepted my suggestion, what their status would be in event of our finding a way to escape with the U-33. I replied that I felt that if we had all worked loyally together we should leave Caprona upon a common footing, and to that end I suggested that should the remote possibility of our escape in the submarine


The Land that Time Forgot