Today's Stichomancy for Tyra Banks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from God The Invisible King by H. G. Wells:

them.

And besides these base people there are the stupid people and the people with minds so poor in texture that they cannot even grasp the few broad and simple ideas that seem necessary to the salvation we experience, who lapse helplessly into fetishistic and fearful conceptions of God, and are apparently quite incapable of distinguishing between what is practically and what is spiritually good.

It is an easy thing to conclude that the only way to God is our way to God, that he is the privilege of a finer and better sort to which we of course belong; that he is no more the God of the card-sharper

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

unconsciously musical speech which common people utter and throw away every day; and this was taken as a disparagement of Shakespear's "originality." Why was I born with such contemporaries? Why is Shakespear made ridiculous by such a posterity?

_The Dark Lady of The Sonnets was first performed at the Haymarket Theatre, on the afternoon of Thursday, the 24th November 1910, by Mona Limerick as the Dark Lady, Suzanne Sheldon as Queen Elizabeth, Granville Barker as Shakespear, and Hugh Tabberer as the Warder._

THE DARK LADY OF THE SONNETS

_Fin de siecle 15-1600. Midsummer night on the terrace of the Palace at Whitehall, overlooking the Thames. The Palace clock chimes four

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac:

are written. Besides, he had that frank, good-humored expression which always impresses me favorably. He was without doubt one of those troopers who are surprised at nothing, who find matter for laughter in the contortions of a dying comrade, who bury or plunder him quite light-heartedly, who stand intrepidly in the way of bullets;--in fact, one of those men who waste no time in deliberation, and would not hesitate to make friends with the devil himself. After looking very attentively at the proprietor of the menagerie getting out of his box, my companion pursed up his lips with an air of mockery and contempt, with that peculiar and expressive twist which superior people assume to show they are not taken in. Then, when I was expatiating on the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Roads of Destiny by O. Henry:

at me for ten minutes. I'm sitting with my side to her, striking off some manifold copies of a copper-mine proposition for a nice old man from Tonopah. But I always see everything all around me. When I'm hard at work I can see things through my side-combs; and I can leave one button unbuttoned in the back of my shirtwaist and see who's behind me. I didn't look around, because I make from eighteen to twenty dollars a week, and I didn't have to.

"That evening at knocking-off time she sends for me to come up to her apartment. I expected to have to typewrite about two thousand words of notes-of-hand, liens, and contracts, with a ten-cent tip in sight; but I went. Well, Man, I was certainly surprised. Old Maggie Brown had