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Today's Stichomancy for Nellie McKay

The first excerpt represents the past or something you must release, and is drawn from Poor and Proud by Oliver Optic:

crustily.

"I dare say you do;" and she might have hinted that there was some difference between knowing how to do a thing and doing it. "I was only going to tell you how to sell candy. If you don't want me to tell you, I won't."

"I should like to have you tell me, but I guess I know how to behave."

"You must be very civil to everybody, even when they don't speak very pleasant to you."

"I don't know about that," replied Ann, doubtfully, for it was contrary to the Grippen philosophy to be very civil to any one,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

the breast. The detective pinned the paper on the back of the chair in which Professor Fellner had been seated when he met his death.

"But the key was in the hole," objected Bauer suddenly.

"Yes, but it was turned so that the lower part of the hole was free. Johann saw the light streaming through and could look into the room. If the murderer put the barrel of his pistol to this open part of the keyhole, the bullet would have to strike exactly where the dead man sat. There would be no need to take any particular aim." Muller gazed into space like a seer before whose mental eye a vision has arisen, and continued in level tones: "Fellner had refused the duel and the murderer was crazed by his desire for revenge. He came

The third excerpt represents the future or something you must embrace, and is drawn from McTeague by Frank Norris:

never could say that he was drunk. The alcohol had its effect for all that. It roused the man, or rather the brute in the man, and now not only roused it, but goaded it to evil. McTeague's nature changed. It was not only the alcohol, it was idleness and a general throwing off of the good influence his wife had had over him in the days of their prosperity. McTeague disliked Trina. She was a perpetual irritation to him. She annoyed him because she was so small, so prettily made, so invariably correct and precise. Her avarice incessantly harassed him. Her industry was a constant reproach to him. She seemed to


McTeague