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Today's Stichomancy for Carmen Electra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

out both her arms. "How slow thou art! When hast thou been so sluggish before now? Here is a friend of mine, who must be thy friend also. Thou wilt have twice as much love henceforward as thy mother alone could give thee! Leap across the brook and come to us. Thou canst leap like a young deer!" Pearl, without responding in any manner to these honey-sweet expressions, remained on the other side of the brook. Now she fixed her bright wild eyes on her mother, now on the minister, and now included them both in the same glance, as if to detect and explain to herself the relation which they bore to one


The Scarlet Letter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

When once the general theory is comprehended, numberless difficulties remain to be solved in its application; for the sovereignty of the Union is so involved in that of the States that it is impossible to distinguish its boundaries at the first glance. The whole structure of the Government is artificial and conventional; and it would be ill adapted to a people which has not been long accustomed to conduct its own affairs, or to one in which the science of politics has not descended to the humblest classes of society. I have never been more struck by the good sense and the practical judgment of the Americans than in the ingenious devices by which they elude the numberless difficulties

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

to take that second look that has left him what he is. Not that Fortune has been unpropitious; only blind. Fate has offered him opportunity enough; too much, perhaps. For in Japan the exposure of the female form is without a parallel in latitude. Never nude, it is frequently naked. The result artistically is much the same, though the cause be different. For it is a fatal mistake to suppose the Japanese an immodest people. According to their own standards, they are exceedingly modest. No respectable Japanese woman would, for instance, ever for a moment turn out her toes in walking. It is considered immodest to do so. Their code is, however, not so whimsical as this bit of etiquette might suggest. The intent is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Book by Rudyard Kipling:

beaten and left for dead; so he knew the manners and customs of men. There was very little talking at the Rock. The cubs tumbled over each other in the center of the circle where their mothers and fathers sat, and now and again a senior wolf would go quietly up to a cub, look at him carefully, and return to his place on noiseless feet. Sometimes a mother would push her cub far out into the moonlight to be sure that he had not been overlooked. Akela from his rock would cry: "Ye know the Law--ye know the Law. Look well, O Wolves!" And the anxious mothers would take up the call: "Look--look well, O Wolves!"

At last--and Mother Wolf's neck bristles lifted as the time


The Jungle Book