| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy: before and the holy icon with its black face and gilt frame,
and the tapers which he sold to be set before that icon and
which were almost immediately brought back to him scarcely
burnt at all, and which he put away in the store-chest. He
began to pray to that same Nicholas the Wonder-Worker to save
him, promising him a thanksgiving service and some candles.
But he clearly and indubitably realized that the icon, its
frame, the candles, the priest, and the thanksgiving service,
though very important and necessary in church, could do nothing
for him here, and that there was and could be no connexion
between those candles and services and his present disastrous
 Master and Man |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale: XI
Summer Storm
The panther wind
Leaps out of the night,
The snake of lightning
Is twisting and white,
The lion of thunder
Roars -- and we
Sit still and content
Under a tree --
We have met fate together
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nada the Lily by H. Rider Haggard: father, for I have much to say that is sorrowful, and even now, when I
think of Nada the tears creep through the horn that shuts out my old
eyes from light.
Do you know who I am, my father? You do not know. You think that I am
an old, old witch-doctor named Zweete. So men have thought for many
years, but that is not my name. Few have known it, for I have kept it
locked in my breast, lest, thought I live now under the law of the
White Man, and the Great Queen is my chieftainess, an assegai still
might find this heart did any know my name.
Look at this hand, my father--no, not that which is withered with
fire; look on this right hand of mine. You see it, though I who am
 Nada the Lily |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grenadiere by Honore de Balzac: played for an hour, while she--poor woman and happy mother--lay on a
long sofa in the summer-house, so placed that she could look out over
the soft, ever-changing country of Touraine, a land that you learn to
see afresh in all the thousand chance effects produced by daylight and
sky and the time of year.
The children scampered through the orchard, scrambled about the
terraces, chased the lizards, scarcely less nimble than they;
investigating flowers and seeds and insects, continually referring all
questions to their mother, running to and fro between the garden and
the summer-house. Children have no need of toys in the country,
everything amuses them.
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