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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the past or something you must release, and is drawn from Love Songs by Sara Teasdale:

Now at last I can die!

I am sandaled with wind and with flame, I have heart-fire and singing to give, I can tread on the grass or the stars, Now at last I can live!

Riches

I have no riches but my thoughts, Yet these are wealth enough for me; My thoughts of you are golden coins Stamped in the mint of memory;

And I must spend them all in song,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

and long-suffering, I could never have kept the Manor."

"'Nor thy life either," said De Aquila. "Hugh has saved thee not once, but a hundred times. Be still, Hugh!" he said. "Dost thou know, Richard, why Hugh slept, and why he still sleeps, among thy Norman men- at-arms?"

"'To be near me," said I, for I thought this was truth.

"'Fool!" said De Aquila. "It is because his Saxons have begged him to rise against thee, and to sweep every Norman out of the valley. No matter how I know. It is truth. Therefore Hugh hath made himself an hostage for

The third excerpt represents the future or something you must embrace, and is drawn from Lucile by Owen Meredith:

vulgar pretext to display in public an affection that is best honored by the silence which it renders sacred.

Feelings only such as those with which, in days when there existed for me no critic less gentle than yourself, I brought to you my childish manuscripts; feelings only such as those which have, in later years, associated with your heart all that has moved or occupied my own,--lead me once more to seek assurance from the grasp of that hand which has hitherto been my guide and comfort through the life I owe to you.

And as in childhood, when existence had no toil beyond the day's simple lesson, no ambition beyond the neighboring approval of the