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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters from England by Elizabeth Davis Bancroft:

distance.

LETTER: To Mrs. W.W. Story LONDON, March 23, 1847

My dear Mrs. Story: I should have thanked you by the last steamer for your note and the charming volume which accompanied it, but my thoughts and feelings were so much occupied by the sad tidings I heard from my own family that I wrote to no one out of it. The poems, which would at all times have given me great pleasure, gave me still more here than they would if I were with you on the other side of the Atlantic. I am not cosmopolitan enough to love any nature so well as our American nature, and in addition to the charm

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Prince by Nicolo Machiavelli:

the rivers Arno and Gusciana and its slight elevation above the surrounding plain. Moreover, the enemy could not hinder its being victualled unless they divided their forces, nor could they approach it either from the direction of Lucca or Pisa, nor could they get through to Pisa, or attack Castruccio's forces except at a disadvantage. In one case they would find themselves placed between his two armies, the one under his own command and the other under Pagolo, and in the other case they would have to cross the Arno to get to close quarters with the enemy, an undertaking of great hazard. In order to tempt the Florentines to take this latter course, Castruccio withdrew his men from the banks of the river and placed them under the


The Prince
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

up on the box beside the driver. A young girl and an old man in livery were placing bags and bundles of rugs inside the carriage. Muller walked slowly toward the carriage. Just as he reached the open gate of the garden he was obliged to halt, to his own great satisfaction. For at this moment a group of people came out from the house, the owners of it evidently, prepared for a journey and surrounded by their servants.

Beside the old man and the young girl, there were two other women, one evidently the housekeeper, the other possibly the cook. The latter was weeping openly and devoutly kissing the hand of her mistress. The housekeeper discovered that a rug was missing and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

the socialistic and humanitarian points of view. We need not discuss these impertinences: it is easier to silence them with the facts of Wagner's life. In 1843 he obtained the position of conductor of the Opera at Dresden at a salary of L225 a year, with a pension. This was a first-rate permanent appointment in the service of the Saxon State, carrying an assured professional position and livelihood with it In 1848, the year of revolutions, the discontented middle class, unable to rouse the Churchand-State governments of the day from their bondage to custom, caste, and law by appeals to morality or constitutional agitation for Liberal reforms, made common cause with the