| The first excerpt represents the past or something you must release, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx: outcome of the national elections; it represented the nation. It was a
living protest against the assumption of the February days, and it was
intended to bring the results of the revolution back to the bourgeois
measure. In vain did the proletariat of Paris, which forthwith
understood the character of this national assembly, endeavor, a few days
after its meeting; on May 15, to deny its existence by force, to
dissolve it, to disperse the organic apparition, in which the reacting
spirit of the nation was threatening them, and thus reduce it back to
its separate component parts. As is known, the 15th of May had no other
result than that of removing Blanqui and his associates, i.e. the real
leaders of the proletarian party, from the public scene for the whole
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Message by Honore de Balzac: gave me a glance and vanished, calling in shrill, childish tones:
"Mother, here is a gentleman who wishes to speak to you!"
And, along the winding alleys, I followed the skipping and
dancing white frill, a sort of will-o'-the-wisp, that showed me
the way among the trees.
I must make a full confession. I stopped behind the last shrub in
the avenue, pulled up my collar, rubbed my shabby hat and my
trousers with the cuffs of my sleeves, dusted my coat with the
sleeves themselves, and gave them a final cleansing rub one
against the other. I buttoned my coat carefully so as to exhibit
the inner, always the least worn, side of the cloth, and finally
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The third excerpt represents the future or something you must embrace, and is drawn from Shakespeare's Sonnets by William Shakespeare: For beauty's pattern to succeeding men.
Yet, do thy worst old Time: despite thy wrong,
My love shall in my verse ever live young.
XX
A woman's face with nature's own hand painted,
Hast thou, the master mistress of my passion;
A woman's gentle heart, but not acquainted
With shifting change, as is false women's fashion:
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue all 'hues' in his controlling,
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