Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Franz Kafka

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moby Dick by Herman Melville:

by half spent billows from afar; then the lake itself began faintly to heave and swell; the submarine bridal-chambers and nurseries vanished; in more and more contracting orbits the whales in the more central circles began to swim in thickening clusters. Yes, the long calm was departing. A low advancing hum was soon heard; and then like to the tumultuous masses of block-ice when the great river Hudson breaks up in Spring, the entire host of whales came tumbling upon their inner centre, as if to pile themselves up in one common mountain. Instantly Starbuck and Queequeg changed places; Starbuck taking the stern.

"Oars! Oars!" he intensely whispered, seizing the helm--"gripe your


Moby Dick
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Europeans by Henry James:

Clifford Wentworth, coming round from the other side of the house. She stopped him; she told him she wished to speak to him.

"Why did n't you go home with your cousin?" she asked.

Clifford stared. "Why, Robert has taken her," he said.

"Exactly so. But you don't usually leave that to him."

"Oh," said Clifford, "I want to see those fellows start off. They don't know how to drive."

"It is not, then, that you have quarreled with your cousin?"

Clifford reflected a moment, and then with a simplicity which had, for the Baroness, a singularly baffling quality, "Oh, no; we have made up!" he said.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gulliver's Travels by Jonathan Swift:

exact square, with a window in the middle of three of the squares, and each window was latticed with iron wire on the outside, to prevent accidents in long journeys. On the fourth side, which had no window, two strong staples were fixed, through which the person that carried me, when I had a mind to be on horseback, put a leathern belt, and buckled it about his waist. This was always the office of some grave trusty servant, in whom I could confide, whether I attended the king and queen in their progresses, or were disposed to see the gardens, or pay a visit to some great lady or minister of state in the court, when Glumdalclitch happened to be out of order; for I soon began to be


Gulliver's Travels
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Young Forester by Zane Grey:

the sash.

That made me angry. Jerking up in bed, I caught the heavy pitcher from the wash-stand and flung it with all my might.

Crash!

Had I smashed out the whole side of the room it could scarcely have made more noise. Accompanied by the clinking of glass and the creaking of tin, my visitor rolled off the roof. I waited, expecting an uproar from the other inmates of the hotel. No footstep, no call sounded within hearing. Once again the stillness settled down.

Then, to my relief, the gray gloom lightened, and dawn broke. Never had I been so glad to see the morning. While dressing I cast gratified glances at


The Young Forester