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Today's Stichomancy for John Glenn

The first excerpt represents the past or something you must release, and is drawn from Herodias by Gustave Flaubert:

next movement. But the death that night of some conspicuous man that had been predicted to him by Phanuel,--what if, by bringing it upon another, he could avert it from himself, thought Antipas. If Iaokanann was in very truth the Elias so much talked of, he would have power to protect himself; and if he were only an ordinary man, his murder was of no importance.

Mannaeus stood beside his chair, and read his master's thoughts. Vitellius beckoned him to his side and gave him an order for the execution, to be transmitted to the soldiers placed on guard over the dungeon. This execution would be a relief, he thought. In a few moments all would be over!


Herodias
The second excerpt represents the present or the deciding factor of the moment, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

Holiday was sunk from sight as though he had never lived; Monsignor was dead. Amory had grown up to a thousand books, a thousand lies; he had listened eagerly to people who pretended to know, who knew nothing. The mystical reveries of saints that had once filled him with awe in the still hours of night, now vaguely repelled him. The Byrons and Brookes who had defied life from mountain tops were in the end but flaneurs and poseurs, at best mistaking the shadow of courage for the substance of wisdom. The pageantry of his disillusion took shape in a world-old procession of Prophets, Athenians, Martyrs, Saints, Scientists, Don Juans, Jesuits, Puritans, Fausts, Poets, Pacifists; like costumed alumni


This Side of Paradise
The third excerpt represents the future or something you must embrace, and is drawn from Jane Eyre by Charlotte Bronte:

that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come-- watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on


Jane Eyre