| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Daughter of Eve by Honore de Balzac: luxury of the whole house, of which this boudoir is but a sample.
Though without either rank or station, having pushed himself forward,
heaven knows how, du Tillet had married, in 1831, the daughter of the
Comte de Granville, one of the greatest names in the French
magistracy,--a man who became peer of France after the revolution of
July. This marriage of ambition on du Tillet's part was brought about
by his agreeing to sign an acknowledgment in the marriage contract of
a dowry not received, equal to that of her elder sister, who was
married to Comte Felix de Vandenesse. On the other hand, the
Granvilles obtained the alliance with de Vandenesse by the largeness
of the "dot." Thus the bank repaired the breach made in the pocket of
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters: could do for him.
'Yes; I'll give you another opportunity of showing your Christian
magnanimity,' sneered he: 'set my pillow straight, and these
confounded bed-clothes.' I did so. 'There: now get me another
glass of that slop.' I complied. 'This is delightful, isn't it?'
said he with a malicious grin, as I held it to his lips; 'you never
hoped for such a glorious opportunity?'
'Now, shall I stay with you?' said I, as I replaced the glass on
the table: 'or will you be more quiet if I go and send the nurse?'
'Oh, yes, you're wondrous gentle and obliging! But you've driven
me mad with it all!' responded he, with an impatient toss.
 The Tenant of Wildfell Hall |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Another Study of Woman by Honore de Balzac: my diaphragm. At the end of an hour I passed once more; the carriage
was still in the courtyard! My note no doubt was in the porter's
hands. At last, at half-past three, the carriage drove out. I could
observe my rival's expression; he was grave, and did not smile; but he
was in love, and no doubt there was business in hand.
"I went to keep my appointment; the queen of my heart met me; I saw
her calm, pure, serene. And here I must confess that I have always
thought that Othello was not only stupid, but showed very bad taste.
Only a man who is half a Negro could behave so: indeed Shakespeare
felt this when he called his play 'The Moor of Venice.' The sight of
the woman we love is such a balm to the heart that it must dispel
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: Werper struggled to free himself. "My God, Lord
Greystoke," he managed to scream, "would you commit
murder for a handful of stones?"
The fingers at his throat relaxed, a puzzled, far-away
expression softened the gray eyes.
"Lord Greystoke!" repeated the ape-man. "Lord
Greystoke! Who is Lord Greystoke? Where have I heard
that name before?"
"Why man, you are Lord Greystoke," cried the Belgian.
"You were injured by a falling rock when the earthquake
shattered the passage to the underground chamber to
 Tarzan and the Jewels of Opar |