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Today's Stichomancy for John Glenn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Red Seal by Natalie Sumner Lincoln:

the tall china umbrella-stand by the hall table. As he stepped through the front doorway he caught sight of the end of his cane, which he was carrying tucked under his arm. Fastened to the ferule of the cane was the round top of a paste-board pill box.

Kent backed so swiftly into the house again that his figure blocked the closing of the front door, which he had started to pull shut after him. Letting the door close gently he walked back to the umbrella stand. It was a tall heavy affair, and he had some difficulty in tipping it over and letting its contents spill on the floor. A soft exclamation escaped him as three little pellets rolled past him, and then came the bottom of a box.


The Red Seal
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

rushed up to me as though I had been the object of some search on her part. The cavalcade was returning to the plaza, the homeward march having been given up for that day; nor, in fact, was it recommenced for more than a week, owing to the fear of a return attack by the air craft.

Lorquas Ptomel was too astute an old warrior to be caught upon the open plains with a caravan of chariots and children, and so we remained at the deserted city until the danger seemed passed.

As Sola and I entered the plaza a sight met my eyes which filled my whole being with a great surge of mingled hope,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wheels of Chance by H. G. Wells:

her through the rapids of adolescence.

Jessie's feelings for her stepmother's household at Surbiton amounted to an active detestation. There are no graver or more solemn women in the world than these clever girls whose scholastic advancement has retarded their feminine coquetry. In spite of the advanced tone of 'Thomas Plantagenet's' antimarital novel, Jessie had speedily seen through that amiable woman's amiable defences. The variety of pose necessitated by the corps of 'Men' annoyed her to an altogether unreasonable degree. To return to this life of ridiculous unreality--unconditional capitulation to 'Conventionality' was an exasperating prospect.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

his and began once more: "Still, I must tell you, Lyoff Nikolaievich, that I and my wife have been thinking it over, and we have come to the conclusion," and so on, word for word the same. "No, no, I want to die--to die as soon as possible," groaned my father when he had seen the friend off. "Isn't it all the same whether it's 'Circle of Reading' or 'For Every Day'? No, it's time for me to die: I cannot live like this any longer." And, after all, in the end, one of the editions of the sayings of the wise was called "For Every Day" instead of "Circle of