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Today's Stichomancy for Kate Moss

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

speechless consternation, and he saw drops of sweat collect on the miserable face, swell and fall, mingled with two streams of tears.

"Why should you weep, Monsieur de Rubempre? You are, as I have told you, Mademoiselle Esther's legatee, she having no heirs nor near relations, and her property amounts to nearly eight millions of francs if the lost seven hundred and fifty thousand francs are recovered."

This was the last blow to the poor wretch. "If you do not lose your head for ten minutes," Jacques Collin had said in his note, and Lucien by keeping cool would have gained all his desire. He might have paid his debt to Jacques Collin and have cut him adrift, have been rich, and have married Mademoiselle de Grandlieu. Nothing could more

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kenilworth by Walter Scott:

compelled him to exchange it for the right sort, or else went on to seek it elsewhere. But one ingredient, in particular, seemed almost impossible to be found. Some chemists plainly admitted they had never seen it; others denied that such a drug existed, excepting in the imagination of crazy alchemists; and most of them attempted to satisfy their customer, by producing some substitute, which, when rejected by Wayland, as not being what he had asked for, they maintained possessed, in a superior degree, the self-same qualities. In general they all displayed some curiosity concerning the purpose for which he wanted it. One old, meagre chemist, to whom the artist put the usual question,


Kenilworth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Contrast by Royall Tyler:

close application, may learn to laugh as gracefully as if they were born and bred to it.

JONATHAN

Mercy on my soul! A gamut for laughing--just like fa, la, sol?

JEREMY

Yes. It comprises every possible display of jocu- larity, from an affettuoso smile to a piano titter, or full chorus fortissimo ha, ha, ha! My master employs his leisure hours in marking out the plays, like a cathedral chanting-book, that the ignorant may know where to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

yet he was always ready to laugh, and went his way merrily, happy when he could drown his glory in the depths of a pot of beer, or could tell tales of the wars to the children who admired him, leaving his future with a light heart in the hands of God. Lastly, there were the two peasants, used to hardships and toil, labor incarnate, the labor by which the world lives. These simple folk were indifferent to thought and its treasures, ready to sink them all in a belief; and their faith was but so much the more vigorous because they had never disputed about it nor analyzed it. Such a nature is a virgin soil, conscience has not been tampered with, feeling is deep and strong; repentance, trouble, love, and work have developed, purified, concentrated, and