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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madam How and Lady Why by Charles Kingsley:

and how the stalked star-fish, which you mistook for a flower, ever got into the stone.

Then do you think me silly for fancying that a fossil star-fish was a flower?

I should be silly if I did. There is no silliness in not knowing what you cannot know. You can only guess about new things, which you have never seen before, by comparing them with old things, which you have seen before; and you had seen flowers, and snakes, and fishes' backbones, and made a very fair guess from them. After all, some of these stalked star-fish are so like flowers, lilies especially, that they are called Encrinites; and the whole

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

contracted and lowered. What was pride in the former becomes puerile vanity and paltry ostentation in the latter. The servants of a great man are commonly most punctilious as to the marks of respect due to him, and they attach more importance to his slightest privileges than he does himself. In France a few of these old servants of the aristocracy are still to be met with here and there; they have survived their race, which will soon disappear with them altogether. In the United States I never saw anyone at all like them. The Americans are not only unacquainted with the kind of man, but it is hardly possible to make them understand that such ever existed. It is scarcely less difficult

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Kenilworth by Walter Scott:

"Thou art a devil, Varney," said Leicester hastily; "but thou hast the mastery for the present--I follow thee."

Varney replied not, but led the way out of the palace, and towards the river, while his master followed him, as if mechanically; until, looking back, he said in a tone which savoured of familiarity at least, if not of authority, "How is this, my lord? Your cloak hangs on one side--your hose are unbraced--permit me--"

"Thou art a fool, Varney, as well as a knave," said Leicester, shaking him off, and rejecting his officious assistance. "We are best thus, sir; when we require you to order our person, it is


Kenilworth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

body and soul feel together, and this feeling is termed consciousness. And memory is the preservation of consciousness, and reminiscence is the recovery of consciousness. Now the memory of pleasure, when a man is in pain, is the memory of the opposite of his actual bodily state, and is therefore not in the body, but in the mind. And there may be an intermediate state, in which a person is balanced between pleasure and pain; in his body there is want which is a cause of pain, but in his mind a sure hope of replenishment, which is pleasant. (But if the hope be converted into despair, he has two pains and not a balance of pain and pleasure.) Another question is raised: May not pleasures, like opinions, be true and false? In the sense of being real, both must be admitted to be