| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sarrasine by Honore de Balzac: inquire of somebody where his mistress lived, he met one of his
fellow-artists at the door.
" 'My dear fellow,' he said, I am sent by our ambassador to invite you
to come to the embassy this evening. He gives a magnificent concert,
and when I tell you that La Zambinella will be there--'
" 'Zambinella!' cried Sarrasine, thrown into delirium by that name; 'I
am mad with love of her.'
" 'You are like everybody else,' replied his comrade.
" 'But if you are friends of mine, you and Vien and Lauterbourg and
Allegrain, you will lend me your assistance for a /coup de main/,
after the entertainment, will you not?' asked Sarrasine.
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: There was no feinting, no retiring and no parrying that was not
also an attack. Bayonet-fighting today is not a pretty thing to
see--it is not an artistic fencing-match in which men give and
take--it is slaughter inevitable and quickly over.
Dietz lunged once madly at Olson's throat. A short point, with
just a twist of the bayonet to the left sent the sharp blade over
the Englishman's left shoulder. Instantly he stepped close in,
dropped his rifle through his hands and grasped it with both
hands close below the muzzle and with a short, sharp jab sent his
blade up beneath Dietz's chin to the brain. So quickly was the
thing done and so quick the withdrawal that Olson had wheeled to
 Out of Time's Abyss |