| The first excerpt represents the past or something you must release, and is drawn from The Son of Tarzan by Edgar Rice Burroughs: Nothing, absolutely nothing.
In the open plain beyond the forest the hunters were returning
from the day's sport. They were widely separated, hoping to
raise a wandering lion on the homeward journey across the plain.
The Hon. Morison Baynes rode closest to the forest. As his eyes
wandered back and forth across the undulating, shrub sprinkled
ground they fell upon the form of a creature close beside the
thick jungle where it terminated abruptly at the plain's edge.
He reined his mount in the direction of his discovery. It was
yet too far away for his untrained eyes to recognize it; but as
he came closer he saw that it was a horse, and was about to resume
The Son of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cromwell by William Shakespeare: FRISKIBALL.
If it be so, he hath deceived me much,
And to deal strictly with such a one as he--
Better severe than too much lenity.
But here is Master Banister himself,
And with him, as I take, the officers.
[Enter Banister, his wife, and two officers.]
BANISTER.
O master Friskiball, you have undone me.
My state was well nigh overthrown before,
Now altogether down-cast by your means.
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The third excerpt represents the future or something you must embrace, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs: to fight and die, but tore himself away from them as quickly
as he could and fled into the sheltering boughs of the forest.
Two more attempts he made to rejoin the tribe, but on
each occasion he was set upon and driven away. At last he
gave it up, and turned, foaming with rage and hatred, into
the jungle.
For several days he wandered aimlessly, nursing his spite and
looking for some weak thing on which to vent his pent anger.
It was in this state of mind that the horrible, man-like
beast, swinging from tree to tree, came suddenly upon two
women in the jungle.
Tarzan of the Apes |
