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Today's Stichomancy for Steve McQueen

The first excerpt represents the past or something you must release, and is drawn from The Crisis in Russia by Arthur Ransome:

places under the new system, and consequently fear its collapse as much as any one. One case occurs to me in which a father was an important minister in one of the various White Governments which have received Allied support, while his son inside Russia was doing pretty well as a responsible official under the Communists. Now in the event of a violent change, the Communists would be outlaws with a price on every head, and those who have worked with them, being Russians, know their fellow countrymen well enough to be pretty well convinced that the mere fact that they are without cards of the membership of the Communist

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

hill looking down upon this favored country, but had not quite reached the settled parts, when on turning a bend in the path they were halted by a form that barred their way

A more curious creature they had seldom seen, even in the Land of Oz, where curious creatures abound. It had the head of a young man -- evidently a Munchkin -- with a pleasant face and hair neatly combed. But the body was very long, for it had twenty legs -- ten legs on each side -- and this caused the body to stretch out and lie in a horizontal position, so that all the legs


The Tin Woodman of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Muse of the Department by Honore de Balzac:

sour remarks.

"And so," she went on, striking an attitude, "you see a woman wrinkled at nine-and-twenty, ten years before the time fixed by the rules of Doctor Bianchon, a woman whose skin is ruined at an early age, who turns as yellow as a quince when she is yellow at all--we have seen some turn green. When we have reached that point, we try to justify our normal condition; then we turn and rend the terrible passion of Paris with teeth as sharp as rat's teeth. We have Puritan women here, sour enough to tear the laces of Parisian finery, and eat out all the poetry of your Parisian beauties, who undermine the happiness of others while they cry up their walnuts and rancid bacon, glorify this


The Muse of the Department