| The first excerpt represents the past or something you must release, and is drawn from Charmides by Plato: connection, there is less mortar in the interstices, and they are content
to place sentences side by side, leaving their relation to one another to
be gathered from their position or from the context. The difficulty of
preserving the effect of the Greek is increased by the want of adversative
and inferential particles in English, and by the nice sense of tautology
which characterizes all modern languages. We cannot have two 'buts' or two
'fors' in the same sentence where the Greek repeats (Greek). There is a
similar want of particles expressing the various gradations of objective
and subjective thought--(Greek) and the like, which are so thickly
scattered over the Greek page. Further, we can only realize to a very
imperfect degree the common distinction between (Greek), and the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: hovers between childhood and maturity, were moving down Canal
Street when there was a sudden jostle with another crowd meeting
them. For a minute there was a deafening clamour of shouts and
laughter, cracking of the whips, which all maskers carry, a
jingle and clatter of carnival bells, and the masked and unmasked
extricated themselves and moved from each other's paths. But in
the confusion a tall Prince of Darkness had whispered to one of
the girls in the unmasked crowd: "You'd better come with us, Flo;
you're wasting time in that tame gang. Slip off, they'll
never miss you; we'll get you a rig, and show you what life is."
And so it happened, when a half-hour passed, and the bright-eyed
 The Goodness of St. Rocque and Other Stories |
The third excerpt represents the future or something you must embrace, and is drawn from The Mysterious Affair at Styles by Agatha Christie: night of the murder?"
"Yes, my friend," said Poirot unexpectedly, "we can. One of my
first actions was to ring up the hospital where she was working."
"Well?"
"Well, I learnt that Miss Howard had been on afternoon duty on
Tuesday, and that--a convoy coming in unexpectedly-- she had
kindly offered to remain on night duty, which offer was
gratefully accepted. That disposes of that."
"Oh!" I said, rather nonplussed. "Really," I continued, "it's
her extraordinary vehemence against Inglethorp that started me
off suspecting her. I can't help feeling she'd do anything
 The Mysterious Affair at Styles |