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Today's Stichomancy for Thomas Edison

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ten Years Later by Alexandre Dumas:

mean? The Equinox? Never mind, a fellow must be well mounted to arrive before I do.'"

"And you think Porthos will have arrived first, do you?" asked D'Artagnan.

"I am sure of it. This Equinox, however rich he may be, has certainly no horses so good as monseigneur's."

D'Artagnan repressed his inclination to laugh, because the brevity of Aramis's letter gave rise to reflection. He followed Mousqueton, or rather Mousqueton's chariot, to the castle. He sat down to a sumptuous table, of which they did him the honors as to a king. But he could draw nothing from


Ten Years Later
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

an alert chauffeur.

Such was the figure that created and directed the great property of Tono-Bungay, and from the successful reconstruction of that company passed on to a slow crescendo of magnificent creations and promotions until the whole world of investors marveled. I have already I think, mentioned how, long before we offered Tono Bungay to the public, we took over the English agency of certain American specialties. To this was presently added our exploitation of Moggs' Domestic Soap, and so he took up the Domestic Convenience Campaign that, coupled with his equatorial rotundity and a certain resolute convexity in his bearings won my

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Padre Ignacio by Owen Wister:

Ignorance here. It will be much safer for your flock if I go and join the other serpents at San Francisco."

Soon after breakfast the Padre had his two mules saddled, and he and his guest set forth down the hills together to the shore. And, beneath the spell and confidence of pleasant, slow riding and the loveliness of everything, the young man talked freely of himself.

"And, seriously," said he, "if I missed nothing else at Santa Ysabel, I should long for--how shall I say it?--for insecurity, for danger, and of all kinds--not merely danger to the body. Within these walls, beneath these sacred bells, you live too safe for a man like me."

"Too safe!" These echoed words upon the lips of the pale Padre were a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

or pain, to call for strength to bear what must be borne.

Vailima lay up some three miles of continual rise from Apia, and more than half that distance from the nearest village. It was a long way for a tired man to walk down every evening with the sole purpose of joining in family worship; and the road through the bush was dark, and, to the Samoan imagination, beset with supernatural terrors. Wherefore, as soon as our household had fallen into a regular routine, and the bonds of Samoan family life began to draw us more closely together, Tusitala felt the necessity of including our retainers in our evening devotions. I suppose ours was the only white man's family in all Samoa, except those of the