Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Yoshitaka Amano

The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

carry us through as a train carries the shadow of its lights--so be it! But one thing is real and certain, one thing is no dream- stuff, but eternal and enduring. It is the centre of my life, and all other things about it are subordinate or altogether vain. I loved her, that woman of a dream. And she and I are dead together!

"A dream! How can it be a dream, when it drenched a living life with unappeasable sorrow, when it makes all that I have lived for and cared for, worthless and unmeaning?

"Until that very moment when she was killed I believed we had still a chance of getting away," he said. "All through the night and morning that we sailed across the sea from Capri to Salerno, we

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Shakespeare's Sonnets by William Shakespeare:

No, Time, thou shalt not boast that I do change: Thy pyramids built up with newer might To me are nothing novel, nothing strange; They are but dressings of a former sight. Our dates are brief, and therefore we admire What thou dost foist upon us that is old; And rather make them born to our desire Than think that we before have heard them told. Thy registers and thee I both defy, Not wondering at the present nor the past, For thy records and what we see doth lie,

The third excerpt represents the future or something you must embrace, and is drawn from The Woodlanders by Thomas Hardy:

straw, amid which the young creatures rustled, cooling their thirsty tongues by licking the quaint Norman carving, which glistened with the moisture. It was a degradation of even such a rude form of art as this to be treatad so grossly, she thought, and for the first time the family of Fitzpiers assumed in her imagination the hues of a melancholy romanticism.

It was soon time to drive home, and she traversed the distance with a preoccupied mind. The idea of so modern a man in science and aesthetics as the young surgeon springing out of relics so ancient was a kind of novelty she had never before experienced. The combination lent him a social and intellectual interest which


The Woodlanders