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Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Koran:

we believe in God, and what was revealed to us before, and for that most of you are evildoers?'

Say, 'Can I declare unto you something worse than retribution from God?' Whomsoever God has cursed and been wroth with- and he has made of them apes and swine- and who worship Taghut, they are in a worse plight and are more erring from the level path. When they come to you they say, 'We believe;' but they entered in with unbelief, and they went out therewith, and God knows best what they did hide.

Thou wilt see many of them vieing in sin and enmity, and in eating unlawful things,- evil is it that they have done. The masters and their doctors prohibit them from speaking sin and eating unlawful

The Koran
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

you talk of, or that sweetheart you were writing to this morning, you would feel like me. You would say, What matters laws, and God, and that? My folks are hard up, I belong to them, I'll get them bread, or, by God! I'll get them wealth, if I have to burn down London for it. That's what you would say. And I'll tell you more: your heart is saying so this living minute. I can see it in your face. You're thinking, Here's poor friendship for the man I've starved along of, and as for the girl that I set up to be in love with, here's a mighty limp kind of a love that won't carry me as far as 'most any man would go for a demijohn of whisky. There's not much ROmance to that love, anyway; it's not

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Summer by Edith Wharton:

back?" as if nothing had happened, and he answered: "Yes, I'm back," and walked in ahead of her, pushing open the door of his office. She climbed to her room, every step of the stairs holding her fast as if her feet were lined with glue.

Two days later, she descended from the train at Nettleton, and walked out of the station into the dusty square. The brief interval of cold weather was over, and the day was as soft, and almost as hot, as when she and Harney had emerged on the same scene on the Fourth of July. In the square the same broken-down hacks and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

in mine. But when I raised it to my lips, and kissed the soft, open palm, she drew it away without displeasure.

"Not that, please," she protested, and fell to whistling softly again, her chin in her hands. "I can't sing," she said, to break an awkward pause, "and so, when I'm fidgety, or have something on my mind, I whistle. I hope you don't dislike it?"

"I love it," I asserted warmly. I did; when she pursed her lips like that I was mad to kiss them.

"I saw you - at the station," she said' suddenly. "You - you were in a hurry to go." I did not say anything, and after a pause she drew a long breath. "Men are queer, aren't they?" she said, and

The Man in Lower Ten