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Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

one in watercolors and one in oils, before 'e went at the final picture--to say nothink of all the pose studies 'e made in pencil before he begun on the composition proper at all. He was that particular. You see, 'e wasn't so keen for the final effect as for the proper pyntin' of 'is pictures. 'E used to say they ought to be well made, the same as any other h'article of trade. I can lay my 'and on the pose studies for you, sir." He rummaged in one of the portfolios and produced half a dozen drawings, "These three," he continued, "was discarded; these two was the pose he finally accepted; this one without alteration, as it were.

"That's in Paris, as I remember," James continued reflectively.

The Troll Garden and Selected Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Three Musketeers by Alexandre Dumas:

letter by heart, and you and your clever person will be arrested."

"Without reckoning," objected Porthos, "that the queen would save Monsieur de Buckingham, but would take no heed of us."

"Gentlemen," said D'Artagnan, "what Porthos says is full of sense."

"Ah, ah! but what's going on in the city yonder?" said Athos.

"They are beating the general alarm."

The four friends listened, and the sound of the drum plainly reached them.

The Three Musketeers
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When a Man Marries by Mary Roberts Rinehart:

without speech. The maid turned and went down the hall, and with that Bella came over to me and clutched me by the arm.

"Who was being carried out into that ambulance?" she demanded, glaring at me with the most awful intensity.

"I'm sure I don't know, Bella," I said, wriggling away from her fingers. "What in the world are you doing here? I thought you were in Europe."

"You are hiding something from me!" she accused. "It is Jim! I see it in your face."

"Well, it isn't," I snapped. "It seems to me, really, Bella, that you and Jim ought to be able to manage your own affairs, without

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

from my subject. Enough has been said, I trust, to shew that Recognition by Feeling is not so tedious or indecisive a process as might have been supposed; and it is obviously more trustworthy than Recognition by hearing. Still there remains, as has been pointed out above, the objection that this method is not without danger. For this reason many in the Middle and Lower classes, and all without exception in the Polygonal and Circular orders, prefer a third method, the description of which shall be reserved for the next section.

Section 6. Of Recognition by Sight

I am about to appear very inconsistent. In previous sections

Flatland: A Romance of Many Dimensions