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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the past or something you must release, and is drawn from When a Man Marries by Mary Roberts Rinehart:

clenched my hands and babbled helplessly. The boats on the river were yellow, horizontal streaks through my tears, and an early searchlight sent its shaft like a tangible thing in the darkness, just over my head. Then, finally, I curled down in a corner with my arms on the parapet, and the lights became more and more prismatic and finally formed themselves into a circle that was Bella's bracelet, and that kept whirling around and around on something flat and not over-clean, that was Flannigan's palm.

Chapter X. ON THE STAIRS

I was roused by someone walking across the roof, the cracking of tin under feet, and a comfortable and companionable odor of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield:

agreed with the others, then it was bound to be all right. And she followed him into the hall.

"Laurie!"

"Hallo!" He was half-way upstairs, but when he turned round and saw Laura he suddenly puffed out his cheeks and goggled his eyes at her. "My word, Laura! You do look stunning," said Laurie. "What an absolutely topping hat!"

Laura said faintly "Is it?" and smiled up at Laurie, and didn't tell him after all.

Soon after that people began coming in streams. The band struck up; the hired waiters ran from the house to the marquee. Wherever you looked there

The third excerpt represents the future or something you must embrace, and is drawn from The Muse of the Department by Honore de Balzac:

ill-dressed girls, like a queen in the midst of her court. Visions of Paris faded from his brain; Lousteau was accepting the provincial surroundings; and while he had too much imagination to remain unimpressed by the royal splendor of this chateau, the beautiful carvings, and the antique beauty of the rooms, he had also too much experience to overlook the value of the personality which completed this gem of the Renaissance. So by the time the visitors from Sancerre had taken their leave one by one--for they had an hour's drive before them--when no one remained in the drawing-room but Monsieur de Clagny, Monsieur Lebas, Gatien, and Monsieur Gravier, who were all to sleep at Anzy--the journalist had already changed his mind about Dinah. His


The Muse of the Department