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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ball at Sceaux by Honore de Balzac:

promise splendid results on paper, and are ruinous in effect. He was-- to quote the wittiest and most successful of our diplomates--one of the faithful five hundred who shared the exile of the Court at Ghent, and one of the fifty thousand who returned with it. During the short banishment of royalty, Monsieur de Fontaine was so happy as to be employed by Louis XVIII., and found more than one opportunity of giving him proofs of great political honesty and sincere attachment. One evening, when the King had nothing better to do, he recalled Monsieur de Fontaine's witticism at the Tuileries. The old Vendeen did not let such a happy chance slip; he told his history with so much vivacity that a king, who never forgot anything, might remember it at

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

properly be a subject of apprehension to a person of firmness and resolution like her own.

In a few moments the thoughts of both were diverted from their own situation by a strain of music so singularly sweet and solemn that, while it seemed calculated to avert or dispel any feeling unconnected with its harmony, increased, at the same time, the solemn excitation which the preceding interview was calculated to produce. The music was that of some instrument with which they were unacquainted; but circumstances afterwards led my ancestress to believe that it was that of the harmonica, which she heard at a much later period in life.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Somebody's Little Girl by Martha Young:

She just sat on the stone bench with her little pink hands folded on her blue checked apron, and looked at the children in their prettiest clothes, and at the babies, and at the parasols.

She loved so to look, and she loved so to listen to the pretty gay music that she did not notice that a lady had come to the stone bench, and had seated herself just where Sister Helen Vincula had sat before she went to see the ladies and to tell them Good-bye.

There were many other ladies on the Mall, and many ladies passed in their walk by the stone bench where Bessie Bell and the lady sat.

Everybody loved to come to the Mall in the afternoon when the band played. Everybody loved to hear the gay music. Everybody loved to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Inn by Honore de Balzac:

spell that was upon him he sprang out upon the road and walked along the bank of the Rhine, pacing up and down like a sentinel before the inn. Sometimes he went as far as Andernach in his hurried tramp; often his feet led him up the slope he had descended on his way to the inn; and sometimes he lost sight of the inn and the window he had left open behind him. His object, he said, was to weary himself and so find sleep.

But, as he walked beneath the cloudless skies, beholding the stars, affected perhaps by the purer air of night and the melancholy lapping of the water, he fell into a reverie which brought him back by degrees to sane moral thoughts. Reason at last dispersed completely his