| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Theaetetus by Plato: in their own nature, or from the popular praises of wealthy kings to the
view of happiness and misery in themselves, or to the reasons why a man
should seek after the one and avoid the other, then the situation is
reversed; the little wretch turns giddy, and is ready to fall over the
precipice; his utterance becomes thick, and he makes himself ridiculous,
not to servant-maids, but to every man of liberal education. Such are the
two pictures: the one of the philosopher and gentleman, who may be excused
for not having learned how to make a bed, or cook up flatteries; the other,
a serviceable knave, who hardly knows how to wear his cloak,--still less
can he awaken harmonious thoughts or hymn virtue's praises.
'If the world, Socrates, were as ready to receive your words as I am, there
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tristram Shandy by Laurence Sterne: many--whenever that drum beats in our ears, I trust, corporal, we shall
neither of us want so much humanity and fellow-feeling, as to face about
and march.
In pronouncing this, my uncle Toby faced about, and march'd firmly as at
the head of his company--and the faithful corporal, shouldering his stick,
and striking his hand upon his coat-skirt as he took his first step--
march'd close behind him down the avenue.
--Now what can their two noddles be about? cried my father to my mother--by
all that's strange, they are besieging Mrs. Wadman in form, and are
marching round her house to mark out the lines of circumvallation.
I dare say, quoth my mother--But stop, dear Sir--for what my mother dared
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chronicles of the Canongate by Walter Scott: speak of; but I think, were any other person to carry him half of
your message, I would scarce ensure his personal safety. And
now, as I see the night is settled to be a fine one, I will walk
on to --, where I must meet a coach to-morrow as it passes to
Edinburgh."
So saying, I paid my moderate reckoning, and took my leave,
without being able to discover whether the prejudiced and hard-
hearted old woman did, or did not, suspect the identity of her
guest with the Chrystal Croftangry against whom she harboured so
much dislike.
The night was fine and frosty, though, when I pretended to see
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle: would be as well for you to have your pistol ready."
The words were hardly out of his mouth before a man appeared at
the door of the room, a very fat and burly man, with a heavy
stick in his hand. Miss Hunter screamed and shrunk against the
wall at the sight of him, but Sherlock Holmes sprang forward and
confronted him.
"You villain!" said he, "where's your daughter?"
The fat man cast his eyes round, and then up at the open
skylight.
"It is for me to ask you that," he shrieked, "you thieves! Spies
and thieves! I have caught you, have I? You are in my power. I'll
 The Adventures of Sherlock Holmes |