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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: conceivable sizes and shapes, sometimes piled high on top of one
another, sometimes standing alone in an open court-way, but
usually crowded and jammed together, so that there were no
streets or alleys between them other than a few which ended
almost as soon as they began. The principal doorways appeared to
be in the roofs, and it was through one of these that Bradley was
inducted into the dark interior of a low-ceiled room. Here he
was pushed roughly into a corner where he tripped over a thick
mat, and there his captors left him. He heard them moving about
in the darkness for a moment, and several times he saw their
large luminous eyes glowing in the dark. Finally, these
Out of Time's Abyss |
