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Today's Stichomancy for Butch Cassidy

The first excerpt represents the past or something you must release, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

seemed to think all this extra search quite unnecessary, as it did not occur to him that anything else was to be looked for except the money.

It was quite late when Muller began his examination of the dead man's effects. He was struck by the fact that there was scarcely a bit of paper to be found anywhere, no letters, no business papers, except bank books showing the amount of his securities in the bank in G- and in Grunau, and giving facts about some investments in Chicago. There was nothing of more recent date and no personal correspondence whatever. The same was true of the pockets of the suit Siders had been wearing at the time of his death. A man of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beast in the Jungle by Henry James:

to the surface, and the auditor would then have wondered indeed what they were talking about. They had from an early hour made up their mind that society was, luckily, unintelligent, and the margin allowed them by this had fairly become one of their commonplaces. Yet there were still moments when the situation turned almost fresh--usually under the effect of some expression drawn from herself. Her expressions doubtless repeated themselves, but her intervals were generous. "What saves us, you know, is that we answer so completely to so usual an appearance: that of the man and woman whose friendship has become such a daily habit--or almost--as to be at last indispensable." That for instance was a

The third excerpt represents the future or something you must embrace, and is drawn from To-morrow by Joseph Conrad:

sight), without calling her to his side and hanging all his atrocious weight on her shoulder. He would not eat one single mouthful of food without her close attendance. He had made himself helpless beyond his affliction, to enslave her better. She stood still for a moment, setting her teeth in the dusk, then turned and walked slowly indoors.

Captain Hagberd went back to his spade. The shouting in Carvil's cottage stopped, and after a while the window of the parlour downstairs was lit up. A man coming from the end of the street with


To-morrow