| The first excerpt represents the past or something you must release, and is drawn from Salammbo by Gustave Flaubert: "Bring them here!" he cried; "and brand them on the forehead with red-
hot irons as cowards!"
Then they brought and spread out in the middle of the garden, fetters,
carcanets, knives, chains for those condemned to the mines, cippi for
fastening the legs, numellae for confining the shoulders, and
scorpions or whips with triple thongs terminating in brass claws.
All were placed facing the sun, in the direction of Moloch the
Devourer, and were stretched on the ground on their stomachs or on
their backs, those, however, who were sentenced to be flogged standing
upright against the trees with two men beside them, one counting the
blows and the other striking.
 Salammbo |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Oedipus Trilogy by Sophocles: Receive such burial as thou shalt ordain;
Such rites 'tis thine, as brother, to perform.
But for myself, O never let my Thebes,
The city of my sires, be doomed to bear
The burden of my presence while I live.
No, let me be a dweller on the hills,
On yonder mount Cithaeron, famed as mine,
My tomb predestined for me by my sire
And mother, while they lived, that I may die
Slain as they sought to slay me, when alive.
This much I know full surely, nor disease
 Oedipus Trilogy |
The third excerpt represents the future or something you must embrace, and is drawn from The Cruise of the Jasper B. by Don Marquis: ice?" cried the lady excitedly, when she was still some yards
distant from Cleggett.
"Ice?" The request was so unusual that Cleggett was not certain
that he had understood.
"Yes, ice! Ice!" There was no mistaking the genuine character
of her eagerness; if she had been begging for her life she could
not have been more in earnest. "Don't tell me that you have none
on your boat. Don't tell me that! Don't tell me that!"
And suddenly, like a woman who has borne all that she can bear,
she burst undisguisedly into a paroxysm of weeping. Cleggett,
stirred by her beauty and her trouble, stepped nearer to her, for
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