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Today's Stichomancy for Elvis Presley

The first excerpt represents the past or something you must release, and is drawn from Lin McLean by Owen Wister:

inquired of me, angrily, what was there in Kentucky she could not have in Wyoming? Consequently, though I surmised what he must be debating, I felt myself invited to keep out of his confidence, and I did so. My advice to him would have been ill received, and--as was soon to be made plain-- would have done his delicacy injustice. Next, one morning he and Billy were gone. My first thought was that he had rejoined Jessamine at Mrs. Pierce's, where she was, and left me away over here on Bear Creek, where we had come for part of a week.

But stuck in my hat-band I found a pencilled farewell.

Now Mr. McLean constructed perhaps three letters in the year--painful, serious events--like an interview with some important person with whom

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

and the lilting voice and the tragic eyes--she who had stooped from a great height to pluck the flower of love blooming below, only to find a worthless weed sullying her hand; Alma Pflugel, with the unquenchable light of gratefulness in her honest face; Von Gerhard, ready to act as buffer between myself and the world, tender as a woman, gravely thoughtful, with the light of devotion glowing in his steady eyes.

"Here's richness," said I, like the fat boy in Pickwick Papers. And I thanked God for the new energy which had sent me to this lovely city by the lake. I

The third excerpt represents the future or something you must embrace, and is drawn from Amy Foster by Joseph Conrad:

familiarly the smooth top of a ploughed rise near the road as I had seen it times innumerable touch the distant horizon of the sea. The uniform brownness of the harrowed field glowed with a rosy tinge, as though the powdered clods had sweated out in minute pearls of blood the toil of uncounted ploughmen. From the edge of a copse a waggon with two horses was rolling gently along the ridge. Raised above our heads upon the sky-line, it loomed up against the red sun, triumphantly big, enor- mous, like a chariot of giants drawn by two slow-


Amy Foster