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Today's Stichomancy for Harry Houdini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Research Magnificent by H. G. Wells:

"Does it matter if we work at something that will take a hundred years or ten thousand years? It will never come in our lives, White. Not soon enough for that. But after that evorld I shall never see as one feels the dawn coming through the last darkness. . . ."

16

The attack on the Rand Club began while Benham and White were at lunch in the dining-room at the Sherborough on the day following the burning of the STAR office. The Sherborough dining-room was on the first floor, and the Venetian window beside their table opened on to a verandah above a piazza. As they talked they became aware of an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fairy Tales by Hans Christian Andersen:

new clothes. He had a different suit for each hour of the day; and as of any other king or emperor, one is accustomed to say, "he is sitting in council," it was always said of him, "The Emperor is sitting in his wardrobe."

Time passed merrily in the large town which was his capital; strangers arrived every day at the court. One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character.

"These must, indeed, be splendid clothes!" thought the Emperor. "Had I such a suit, I might at once find out what men in my realms are unfit for their


Fairy Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life on the Mississippi by Mark Twain:

is always interesting; whereas moon talk by a poet who has not been in the moon is likely to be dull.

We went to a cockpit in New Orleans on a Saturday afternoon. I had never seen a cock-fight before. There were men and boys there of all ages and all colors, and of many languages and nationalities. But I noticed one quite conspicuous and surprising absence: the traditional brutal faces. There were no brutal faces. With no cock-fighting going on, you could have played the gathering on a stranger for a prayer-meeting; and after it began, for a revival--provided you blindfolded your stranger-- for the shouting was something prodigious.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gambara by Honore de Balzac:

You can see--what a florid complexion, what self-conceit, how little firmness in his features! he is made to write ballads. The man who is with him and looks like a match-hawker, is a great music celebrity-- Gigelmi, the greatest Italian conductor known; but he has gone deaf, and is ending his days in penury, deprived of all that made it tolerable. Ah! here comes our great Ottoboni, the most guileless old fellow on earth; but he is suspected of being the most vindictive of all who are plotting for the regeneration of Italy. I cannot think how they can bear to banish such a good man."

And here Giardini looked narrowly at the Count, who, feeling himself under inquisition as to his politics, entrenched himself in Italian


Gambara