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Today's Stichomancy for John Wayne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Manon Lescaut by Abbe Prevost:

friendship, that he would consent to open the gates for me, or entrust me with the keys to let myself out.

"This compliment to his friendship seemed to surprise him. He stood for a few moments looking at me without making any reply. Finding that I had no time to lose, I just begged to assure him that I had the most lively sense of all his kindnesses, but that freedom was dearer to man than every other consideration, especially so to me, who had been cruelly and unjustly deprived of it; that I was resolved this night to recover it, cost what it would, and fearing lest he might raise his voice and call for assistance, I let him see the powerful incentive to silence which

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Symposium by Xenophon:

soul of man. Love[5] is his name! and least of all should we forget him who are one and all votaries of this god.[6] For myself I cannot name the time at which I have not been in love with some one.[7] And Charmides here has, to my knowledge, captivated many a lover, while his own soul has gone out in longing for the love of not a few himself.[8] So it is with Critobulus also; the beloved of yesterday is become the lover of to-day. Ay, and Niceratus, as I am told, adores his wife, and is by her adored.[9] As to Hermogenes, which of us needs to be told[10] that the soul of this fond lover is consumed with passion for a fair ideal--call it by what name you will--the spirit blent of nobleness and beauty.[11] See you not what chaste severity


The Symposium
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams by Olive Schreiner:

He said, "While she lies there he must stand and look across the desert."

And I said, "Does he know why he cannot move?"

And he said, "No."

And I heard a sound of something cracking, and I looked, and I saw the band that bound the burden on to her back broken asunder; and the burden rolled on to the ground.

And I said, "What is this?"

And he said, "The Age-of-muscular-force is dead. The Age-of-nervous-force has killed him with the knife he holds in his hand; and silently and invisibly he has crept up to the woman, and with that knife of Mechanical Invention he has cut the band that bound the burden to her back. The

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In Darkest England and The Way Out by General William Booth:

sale of "Sixteen String Jack," "Dick Turpin," and the like? But take the girls. Who can pretend that the girls whom our schools are now turning out are half as well educated for the work of life as their grandmothers were at the same age? How many of all these mothers of the future know how to bake a loaf or wash their clothes? Except minding the baby--a task that cannot be evaded--what domestic training have they received to qualify them for being in the future the mothers of babies themselves?

And even the schooling, such as it is, at what an expense is it often imparted! The rakings of the human cesspool are brought into the school-room and mixed up with your children. Your little ones, who


In Darkest England and The Way Out