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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the past or something you must release, and is drawn from I Have A Dream by Martin Luther King, Jr.:

It came as a joyous daybreak to end the long night of captivity.

But one hundred years later, we must face the tragic fact that the Negro is still not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languishing in the corners of American society and finds himself an exile in his own land. So we have come here today to dramatize an appalling condition.

In a sense we have come to our nation's capital to cash a check.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

"Stay, Maule!" exclaimed Mr. Pyncheon, stepping forward. "I forbid your proceeding further!"

"Pray, my dear father, do not interrupt the young man," said Alice, without changing her position. "His efforts, I assure you, will prove very harmless."

Again Mr. Pyncheon turned his eyes towards the Claude. It was then his daughter's will, in opposition to his own, that the experiment should be fully tried. Henceforth, therefore, he did but consent, not urge it. And was it not for her sake far more than for his own that he desired its success? That lost parchment once restored, the beautiful Alice Pyncheon, with the rich dowry which he could


House of Seven Gables
The third excerpt represents the future or something you must embrace, and is drawn from My Antonia by Willa Cather:

Tony slipped under his arm. `It is very cold on the floor, and this is warm like the badger hole. I like for sleep there,' she insisted eagerly. `My mamenka have nice bed, with pillows from our own geese in Bohemie. See, Jim?' She pointed to the narrow bunk which Krajiek had built against the wall for himself before the Shimerdas came.

Grandmother sighed. `Sure enough, where WOULD you sleep, dear! I don't doubt you're warm there. You'll have a better house after while, Antonia, and then you will forget these hard times.'

Mr. Shimerda made grandmother sit down on the only chair and pointed his wife to a stool beside her. Standing before them with his hand on Antonia's shoulder, he talked in a low tone, and his daughter translated.


My Antonia