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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

stability of feelings. Such men are easily moved. At the least encouragement they go forward with the eagerness, with the recklessness of starvation. This accounted for the suddenness of the affair. No! With all her inexperience this girl could not have found any great difficulty in her conquering enterprise. She must have begun it. And yet there she was, patient, almost unmoved, almost pitiful, waiting outside like a beggar, without a right to anything but compassion, for a promised dole.

Every moment people were passing close by us, singly, in two and threes; the inhabitants of that end of the town where life goes on unadorned by grace or splendour; they passed us in their shabby


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Journey to the Center of the Earth by Jules Verne:

that kind soul Martha, flitted like visions before my eyes, and in the dismal moanings which from time to time reached my ears I thought I could distinguish the roar of the traffic of the great cities upon earth.

My uncle still had his eye upon his work. Torch in hand, he tried to gather some idea of our situation from the observation of the strata. This calculation could, at best, be but a vague approximation; but a learned man is always a philosopher when he succeeds in remaining cool, and assuredly Professor Liedenbrock possessed this quality to a surprising degree.

I could hear him murmuring geological terms. I could understand them,


Journey to the Center of the Earth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Black Dwarf by Walter Scott:

is nae great matter, after a'; just to cut the comb of a young cock that has been crawing a little ower crousely."

"Not young Earnscliff?" said the Solitary, with some emotion.

"No; not young Earnscliff--not young Earnscliff YET; but his time may come, if he will not take warning, and get him back to the burrow-town that he's fit for, and no keep skelping about here, destroying the few deer that are left in the country, and pretending to act as a magistrate, and writing letters to the great folk at Auld Reekie, about the disturbed state of the land. Let him take care o' himsell."

"Then it must be Hobbie of the Heugh-foot," said Elshie.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fanny Herself by Edna Ferber:

there came into her face a melting, softening look that made it almost lovely. She crossed swiftly over to where her mother sat, and put a hand on either cheek (grown thinner of late) and kissed the tip of her nose. "We don't care-- really. Do we Mother? We're poor wurkin' girruls. But gosh! Ain't we proud? Mother, your mistake was in not doing as Ruth did."

"Ruth?"

"In the Bible. Remember when What's-his-name, her husband, died? Did she go back to her home town? No, she didn't. She'd lived there all her life, and she knew better. She


Fanny Herself