Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

impudently, and flick one ear at him from a safe distance. This is the most impudent gesture I ever saw. Winking is nothing to it. The ear normally hangs down behind; the goat turns sideways to her enemy - by a little knowing cock of the head flicks one ear over one eye, and squints from behind it for half a minute - tosses her head back, skips a pace or two further off, and repeats the manoeuvre. The cook is very fat and cannot run after that goat much.

'PERNAMBUCO, AUG. 1. - We landed here yesterday, all well and cable sound, after a good passage. . . . I am on familiar terms with cocoa-nuts, mangoes, and bread-fruit trees, but I think I like the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry:

The room was warm. Cherokee took off his cap, and then removed his beard and wig.

"Say!" exclaimed Bobby, with a show of interest, "I know your mug, all right."

"Did you ever see me before?" asked Cherokee.

"I don't know; but I've seen your picture lots of times."

"Where?"

The boy hesitated. "On the bureau at home," he answered.

"Let's have your name, if you please, buddy."

"Robert Lumsden. The picture belongs to my mother. She puts it under her pillow of nights. And once I saw her kiss it. I wouldn't. But

Heart of the West

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Modeste Mignon by Honore de Balzac:

slightest freedom, and knowing that they are bound by rigid rules. The man is as much dressed up in soul as he is in body, and so is the young girl. This pitiable comedy, mixed with bouquets, jewels, and theatre-parties is called "paying your addresses." It revolts me: I desire that actual marriage shall be the result of a previous and long marriage of souls. A young girl, a woman, has throughout her life only this one moment when reflection, second sight, and experience are necessary to her. She plays her liberty, her happiness, and she is not allowed to throw the dice; she risks her all, and is forced to be a mere spectator. I have the right, the will, the power to make my own unhappiness, and I use them, as

Modeste Mignon

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Off on a Comet by Jules Verne:

when the sea itself would freeze.

Some shelter must be found before the temperature should fall to 60 degrees below zero. Otherwise death was inevitable. Hitherto, for the last few days, the thermometer had been registering an average of about 6 degrees below zero, and it had become matter of experience that the stove, although replenished with all the wood that was available, was altogether inadequate to effect any sensible mitigation of the severity of the cold. Nor could any amount of fuel be enough. It was certain that ere long the very mercury and spirit in the thermometers would be congealed. Some other resort must assuredly be soon found, or they must perish. That was clear.