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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

of paper!

And on it, in a fine hand, written compactly, were many strange hieroglyphics! These remarkable creatures, then, had a written as well as a spoken language and besides the art of weaving cloth possessed that of paper-making. Could it be that such grotesque beings represented the high culture of the human race within the boundaries of Caspak? Had natural selection produced during the countless ages of Caspakian life a winged monstrosity that represented the earthly pinnacle of man's evolution?

Bradley had noted something of the obvious indications of a gradual evolution from ape to spearman as exemplified by the


Out of Time's Abyss
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

anything worthy to be called a song. My morning comrade had a thin chirp, unmusical and monotonous, but friendly and pleasant to hear. He had but one rival: a fellow with an ostentatious cry of near an octave descending, not one note of which properly followed another. This is the only bird I ever knew with a wrong ear; but there was something enthralling about his performance. You listened and listened, thinking each time he must surely get it right; but no, it was always wrong, and always wrong the same way. Yet he seemed proud of his song, delivered it with execution and a manner of his own, and was charming to his mate. A very

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

In the Name our Lord Jesus Christ. Amen.

1. Our Lord and Master Jesus Christ, when He said Poenitentiam agite, willed that the whole life of believers should be repentance.

2. This word cannot be understood to mean sacramental penance, i.e., confession and satisfaction, which is administered by the priests.

3. Yet it means not inward repentance only; nay, there is no inward repentance which does not outwardly work divers mortifications of the flesh.

4. The penalty [of sin], therefore, continues so long as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

"Francine," said the lady, in a grave tone, "I can't explain to you my present enterprise; it is horrible."

"Why do wrong when you know it to be wrong?"

"How can I help it? I catch myself thinking as if I were fifty, and acting as if I were still fifteen. You have always been my better self, my poor Francine, but in this affair I must stifle conscience. And," she added after a pause, "I cannot. Therefore, how can you expect me to take a confessor as stern as you?" and she patted the girl's hand.

"When did I ever blame your actions?" cried Francine. "Evil is so mixed with good in your nature. Yes, Saint Anne of Auray, to whom I


The Chouans