The first excerpt represents the past or something you must release, and is drawn from The Reign of King Edward the Third by William Shakespeare: KING EDWARD.
Tut, let him fight; we gave him arms to day,
And he is laboring for a knighthood, man.
[Enter Derby.]
DARBY.
The Prince, my Lord, the Prince! oh, succour him!
He's close incompast with a world of odds!
KING EDWARD.
Then will he win a world of honor too,
If he by valour can redeem him thence;
If not, what remedy? we have more sons
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Shadow Line by Joseph Conrad: Nothing more came.
"What's the matter? . . . Can't you tell
after being nearly two years in the ship?" I ad-
dressed him sharply.
He looked as startled for a moment as though he
had discovered my presence only that very mo-
ment. But this passed off almost at once. He
put on an air of indifference. But I suppose he
thought it better to say something. He said that a
ship needed, just like a man, the chance to show the
best she could do, and that this ship had never had
![](http://images.amazon.com/images/P/1853267430.01.MZZZZZZZ.gif) The Shadow Line |
The third excerpt represents the future or something you must embrace, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner: interrupted the commissioner, a faint smile breaking the gravity of
his face. "We certainly gave you every opportunity."
"But there's an innocent man accused - suffering fear of death
- justice must be done. But, sir," Muller took the warrant the
commissioner handed across the table to him. "May I not make it
as easy as I can for Mr. Thorne - I mean, bring him here with as
little publicity as possible? His wife is with him in Venice."
"Poor little woman, it's terrible! Do whatever you think best,
Muller. You're a queer mixture. Here you've hounded this man down,
followed hot on his trail when not a soul but yourself connected
him in any way with the murder. And now you're sorry for him! A
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