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Today's Stichomancy for Jack Nicholson

The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Touchstone by Edith Wharton:

escape from the obsession of moral problems, which somehow could no more be worn in Flamel's presence than a surplice in the street.

"Where are you going? To the club?" Flamel asked; adding, as the younger man assented, "Why not come to my studio instead? You'll see one bore instead of twenty."

The apartment which Flamel described as his studio showed, as its one claim to the designation, a perennially empty easel; the rest of its space being filled with the evidences of a comprehensive dilettanteism. Against this background, which seemed the visible expression of its owner's intellectual tolerance, rows of fine