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Today's Stichomancy for Michael Jackson

The first excerpt represents the past or something you must release, and is drawn from Critias by Plato:

the temples, but the most important was the following: They were not to take up arms against one another, and they were all to come to the rescue if any one in any of their cities attempted to overthrow the royal house; like their ancestors, they were to deliberate in common about war and other matters, giving the supremacy to the descendants of Atlas. And the king was not to have the power of life and death over any of his kinsmen unless he had the assent of the majority of the ten.

Such was the vast power which the god settled in the lost island of Atlantis; and this he afterwards directed against our land for the following reasons, as tradition tells: For many generations, as long as the divine nature lasted in them, they were obedient to the laws, and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lily of the Valley by Honore de Balzac:

tender roots find stony ground in the domestic soil, whose earliest buds are torn apart by rancorous hands, whose flowers are touched by frost at the moment of their blossoming? What poet will sing the sorrows of the child whose lips must suck a bitter breast, whose smiles are checked by the cruel fire of a stern eye? The tale that tells of such poor hearts, oppressed by beings placed about them to promote the development of their natures, would contain the true history of my childhood.

What vanity could I have wounded,--I a child new-born? What moral or physical infirmity caused by mother's coldness? Was I the child of duty, whose birth is a mere chance, or was I one whose very life was a


The Lily of the Valley
The third excerpt represents the future or something you must embrace, and is drawn from Peter Pan by James M. Barrie:

it as a dagger.

Tootles did not flinch. He bared his breast. "Strike, Peter," he said firmly, "strike true."

Twice did Peter raise the arrow, and twice did his hand fall. "I cannot strike," he said with awe, "there is something stays my hand."

All looked at him in wonder, save Nibs, who fortunately looked at Wendy.

"It is she," he cried, "the Wendy lady, see, her arm!"

Wonderful to relate [tell], Wendy had raised her arm. Nibs bent over her and listened reverently. "I think she said, `Poor


Peter Pan