Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Paul McCartney

The first excerpt represents the past or something you must release, and is drawn from The Blue Flower by Henry van Dyke:

try to make them clear and true to others. It has been a slow task, because the right word has not always been easy to find, and I wanted to keep free from conventionality in the thought and close to nature in the picture. It is enough to cause a man no little shame to see how small is the fruit of so long labour.

And yet, after all, when one wishes to write about life, especially about that part of it which is inward, the inwrought experience of living may be of value. And that is a thing which one cannot get in haste, neither can it be made to order. Patient waiting belongs to it; and rainy days

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lucile by Owen Meredith:

And here and there, faintly, through serpentine slips Of verdant rose-gardens deep-sheltered with screens Of airy acacias and dark evergreens, They could mark the white dresses and catch the light songs Of the lovely Parisians that wander'd in throngs, Led by Laughter and Love through the old eventide Down the dream-haunted valley, or up the hillside.


At length, at the door of the inn l'HERISSON, Pray go there, if ever you go to Luchon!) The two horsemen, well pleased to have reached it, alighted

The third excerpt represents the future or something you must embrace, and is drawn from The Village Rector by Honore de Balzac:

secret struggle he had witnessed, and the full repentance which had at last overtaken his stubborn lamb when the great reckoning of eternity was brought home to him,--all these things had combined to break down Monsieur Bonnet, whose nervous, electrical nature entered into the sufferings of others as though they were his own. Souls that resemble that noble soul espouse so ardently the impressions, miseries, passions, sufferings of those in whom they are interested, that they actually feel them, and in a horrible manner, too; for they are able to measure their extent,--a knowledge which escapes others who are blinded by selfishness of heart or the paroxysm of grief. It is here that a priest like Monsieur Bonnet becomes an artist who feels, rather