The first excerpt represents the past or something you must release, and is drawn from Main Street by Sinclair Lewis: We're all in it, ten million women, young married women with
good prosperous husbands, and business women in linen collars,
and grandmothers that gad out to teas, and wives of under-
paid miners, and farmwives who really like to make butter and
go to church. What is it we want--and need? Will Kennicott
there would say that we need lots of children and hard work.
But it isn't that. There's the same discontent in women with
eight children and one more coming--always one more coming!
And you find it in stenographers and wives who scrub, just
as much as in girl college-graduates who wonder how they can
escape their kind parents. What do we want?"
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Soul of a Bishop by H. G. Wells: the swarming cities upon her silvery rivers sinking through
twilight to the night and throwing a spray and tracery of lantern
spots upon the dark; here was Russia under the noontide, and so
great a battle of artillery raging on the Dunajec as no man had
ever seen before; whole lines of trenches dissolved into clouds
of dust and heaps of blood-streaked earth; here close to the
waiting streets of Constantinople were the hills of Gallipoli,
the grave of British Imperialism, streaming to heaven with the
dust and smoke of bursting shells and rifle fire and the smoke
and flame of burning brushwood. In the sea of Marmora a big ship
crowded with Turkish troops was sinking; and, purple under the
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The third excerpt represents the future or something you must embrace, and is drawn from Vailima Letters by Robert Louis Stevenson: to have attractions: ABSIT OMEN! David, on the whole, seems
excellent. Alan does not come in till the tenth chapter, and
I am only at the eighth, so I don't know if I can find him
again; but David is on his feet, and doing well, and very
much in love, and mixed up with the Lord Advocate and the
(untitled) Lord Lovat, and all manner of great folk. And the
tale interferes with my eating and sleeping. The join is
bad; I have not thought to strain too much for continuity; so
this part be alive, I shall be content. But there's no doubt
David seems to have changed his style, de'il ha'e him! And
much I care, if the tale travel!
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